“What on earth is she afraid of, then? Tell me plainly, without any more beating about the bush,” said the prince, exasperated by the other’s mysterious grimaces.
“In point of fact I don’t think I thought much about it,” said the old fellow. He seemed to have a wonderfully good memory, however, for he told the prince all about the two old ladies, Pavlicheff’s cousins, who had taken care of him, and whom, he declared, he had taken to task for being too severe with the prince as a small sickly boy--the elder sister, at least; the younger had been kind, he recollected. They both now lived in another province, on a small estate left to them by Pavlicheff. The prince listened to all this with eyes sparkling with emotion and delight.
“The very time when he was cringing before you and making protestations of devotion! Oh, the mean wretches! I will have nothing to do with your Pushkin, and your daughter shall not set foot in my house!”

“Lef Nicolaievitch,” said Rogojin, after a pause, during which the two walked along a little further, “I have long wished to ask you, do you believe in God?”

Hippolyte had now been five days at the Ptitsins’. His flitting from the prince’s to these new quarters had been brought about quite naturally and without many words. He did not quarrel with the prince--in fact, they seemed to part as friends. Gania, who had been hostile enough on that eventful evening, had himself come to see him a couple of days later, probably in obedience to some sudden impulse. For some reason or other, Rogojin too had begun to visit the sick boy. The prince thought it might be better for him to move away from his (the prince’s) house. Hippolyte informed him, as he took his leave, that Ptitsin “had been kind enough to offer him a corner,” and did not say a word about Gania, though Gania had procured his invitation, and himself came to fetch him away. Gania noticed this at the time, and put it to Hippolyte’s debit on account.
“No, sir--in the Bielomirsky; he changed into the latter shortly before his death. I was at his bedside when he died, and gave him my blessing for eternity. Your mother--” The general paused, as though overcome with emotion.
“What a pity! What a pity! It’s just my luck!” repeated Ardalion Alexandrovitch over and over again, in regretful tones. “When your master and mistress return, my man, tell them that General Ivolgin and Prince Muishkin desired to present themselves, and that they were extremely sorry, excessively grieved...”
“When the old woman took to her bed finally, the other old women in the village sat with her by turns, as the custom is there; and then Marie was quite driven out of the house. They gave her no food at all, and she could not get any work in the village; none would employ her. The men seemed to consider her no longer a woman, they said such dreadful things to her. Sometimes on Sundays, if they were drunk enough, they used to throw her a penny or two, into the mud, and Marie would silently pick up the money. She had began to spit blood at that time.
Lebedeff’s face brightened.

“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”

This last item of news, which disturbed Lizabetha Prokofievna more than anything else, was perfectly true. On leaving Nastasia’s, Aglaya had felt that she would rather die than face her people, and had therefore gone straight to Nina Alexandrovna’s. On receiving the news, Lizabetha and her daughters and the general all rushed off to Aglaya, followed by Prince Lef Nicolaievitch--undeterred by his recent dismissal; but through Varia he was refused a sight of Aglaya here also. The end of the episode was that when Aglaya saw her mother and sisters crying over her and not uttering a word of reproach, she had flung herself into their arms and gone straight home with them.

“I, too, should have been unable to tear my eyes away,” said Aglaya.

“But Nastasia Philipovna seems to me to be such a _sensible_ woman, and, as such, why should she run blindly into this business? That’s what puzzles me so,” said the prince.
“Then I read it,” said Hippolyte, in the tone of one bowing to the fiat of destiny. He could not have grown paler if a verdict of death had suddenly been presented to him.
“‘O, puissent voir longtemps votre beauté sacrée Tant d’amis, sourds à mes adieux! Qu’ils meurent pleins de jours, que leur mort soit pleurée, Qu’un ami leur ferme les yeux!’
The explanation was finished; Hippolyte paused at last.
“Probably an honest girl living by her own toil. Why do you speak of a housemaid so contemptuously?”
It would be difficult to describe the animation and high spirits which distinguished the prince for the rest of the evening. There are certain people of whom it is difficult to say anything which will at once throw them into relief--in other words, describe them graphically in their typical characteristics. These are they who are generally known as “commonplace people,” and this class comprises, of course, the immense majority of mankind. Authors, as a rule, attempt to select and portray types rarely met with in their entirety, but these types are nevertheless more real than real life itself.
“My goodness, what utter twaddle, and what may all this nonsense have signified, pray? If it had any meaning at all!” said Mrs. Epanchin, cuttingly, after having listened with great attention.
“‘In the flashing eyes of this patriotic child I read and accept the fiat of the Russian people. Enough, Davoust, it is mere phantasy on our part. Come, let’s hear your other project.’”
“House of Rogojin, hereditary and honourable citizen.”
“Speak away, I am listening.”
Hippolyte was very ill, and looked as though he could not long survive. He was tearful at first, but grew more and more sarcastic and malicious as the interview proceeded.
“The thought steps in, whether one likes it or no, that death is so terrible and so powerful, that even He who conquered it in His miracles during life was unable to triumph over it at the last. He who called to Lazarus, ‘Lazarus, come forth!’ and the dead man lived--He was now Himself a prey to nature and death. Nature appears to one, looking at this picture, as some huge, implacable, dumb monster; or still better--a stranger simile--some enormous mechanical engine of modern days which has seized and crushed and swallowed up a great and invaluable Being, a Being worth nature and all her laws, worth the whole earth, which was perhaps created merely for the sake of the advent of that Being.
The prince rose from his seat in a condition of mental collapse. The good ladies reported afterwards that “his pallor was terrible to see, and his legs seemed to give way underneath him.” With difficulty he was made to understand that his new friends would be glad of his address, in order to act with him if possible. After a moment’s thought he gave the address of the small hotel, on the stairs of which he had had a fit some five weeks since. He then set off once more for Rogojin’s.
One house in the Gorohovaya began to attract his attention long before he reached it, and the prince remembered afterwards that he had said to himself: “That is the house, I’m sure of it.” He came up to it quite curious to discover whether he had guessed right, and felt that he would be disagreeably impressed to find that he had actually done so. The house was a large gloomy-looking structure, without the slightest claim to architectural beauty, in colour a dirty green. There are a few of these old houses, built towards the end of the last century, still standing in that part of St. Petersburg, and showing little change from their original form and colour. They are solidly built, and are remarkable for the thickness of their walls, and for the fewness of their windows, many of which are covered by gratings. On the ground-floor there is usually a money-changer’s shop, and the owner lives over it. Without as well as within, the houses seem inhospitable and mysterious--an impression which is difficult to explain, unless it has something to do with the actual architectural style. These houses are almost exclusively inhabited by the merchant class.

It never struck him that all this refined simplicity and nobility and wit and personal dignity might possibly be no more than an exquisite artistic polish. The majority of the guests--who were somewhat empty-headed, after all, in spite of their aristocratic bearing--never guessed, in their self-satisfied composure, that much of their superiority was mere veneer, which indeed they had adopted unconsciously and by inheritance.

“Well, take care you don’t tell him to his face that you have found the purse. Simply let him see that it is no longer in the lining of your coat, and form his own conclusions.” Hippolyte paused and considered a moment. Then a smile of cunning--almost triumph--crossed his lips.
“My goodness, Lef Nicolaievitch, why, you can’t have heard a single word I said! Look at me, I’m still trembling all over with the dreadful shock! It is that that kept me in town so late. Evgenie Pavlovitch’s uncle--”
“Why not?”
The prince recollected that somebody had told him something of the kind before, and he had, of course, scoffed at it. He only laughed now, and forgot the hint at once.
“Because,” replied Aglaya gravely, “in the poem the knight is described as a man capable of living up to an ideal all his life. That sort of thing is not to be found every day among the men of our times. In the poem it is not stated exactly what the ideal was, but it was evidently some vision, some revelation of pure Beauty, and the knight wore round his neck, instead of a scarf, a rosary. A device--A. N. B.--the meaning of which is not explained, was inscribed on his shield--”
“Oh, none at all! He has behaved very well indeed. I didn’t mean to drop any sort of hint. His own fortune is intact, I believe. Lizabetha Prokofievna, of course, refuses to listen to anything. That’s the worst of it all, these family catastrophes or quarrels, or whatever you like to call them. You know, prince, you are a friend of the family, so I don’t mind telling you; it now appears that Evgenie Pavlovitch proposed to Aglaya a month ago, and was refused.”
“Listen to me, Aglaya,” said the prince, “I do believe you are nervous lest I shall make a fool of myself tomorrow at your party?”
“Have you just seen Lizabetha Prokofievna?” asked the prince, scarcely believing his ears.
Was there something in the whole aspect of the man, today, sufficient to justify the prince’s terror, and the awful suspicions of his demon? Something seen, but indescribable, which filled him with dreadful presentiments? Yes, he was convinced of it--convinced of what? (Oh, how mean and hideous of him to feel this conviction, this presentiment! How he blamed himself for it!) “Speak if you dare, and tell me, what is the presentiment?” he repeated to himself, over and over again. “Put it into words, speak out clearly and distinctly. Oh, miserable coward that I am!” The prince flushed with shame for his own baseness. “How shall I ever look this man in the face again? My God, what a day! And what a nightmare, what a nightmare!”

“Do you say he is consumptive?”

“Excellency, how could I, how could I prevent it?”
He walked along the road towards his own house. His heart was beating, his thoughts were confused, everything around seemed to be part of a dream.
The prince sat down again. Both were silent for a few moments.

“None of us ever thought such a thing!” Muishkin replied for all. “Why should you suppose it of us? And what are you going to read, Hippolyte? What is it?”

“What, has she been here?” asked the prince with curiosity.
“Oh no; not at all.”
“It’s a garden knife, isn’t it?”
Such a feeling, we must suppose, overtook Rogojin at this moment, and saved the prince’s life. Not knowing that it was a fit, and seeing his victim disappear head foremost into the darkness, hearing his head strike the stone steps below with a crash, Rogojin rushed downstairs, skirting the body, and flung himself headlong out of the hotel, like a raving madman.
“Oh yes!” cried the prince, starting. “Hippolyte’s suicide--”